Page 19 - Decor and Lifestyle Issue 2 2025
P. 19

Material honesty
        In the past decade, design culture
        has shifted away from gloss
        and uniformity toward tactile
        authenticity.

        Timber, clay, rattan, and stone are
        not nostalgic choices; they are
        sustainable ones. They regulate
        humidity, age gracefully, and
        appeal to the human instinct for
        texture. South African designers are
        embracing local materials — think
        clay tiles from the Karoo, woven
        grass from KwaZulu-Natal, or raw
        oak finishes from the Cape — not for
        rustic charm, but for integrity.

        When a material feels natural
        under the hand, the brain registers
        familiarity and comfort. It’s design
        that literally grounds you.

        Green, but with purpose
        Indoor plants are still part of the
        biophilic story — but the token
        fiddle-leaf fig has given way to
        strategic planting. Vertical gardens,
        edible walls, and potted herbs
        are now chosen as much for their
        environmental benefits as their looks.

        Species that purify air, control
        humidity, or attract pollinators
        are quietly reshaping interiors. In
        apartment spaces, hydroponic
        setups and compact balcony
        gardens make the green connection
        functional again.

        The point isn’t decoration; it’s
        ecosystem design.

        Designing for longevity
        Perhaps the most radical part of this
        shift is philosophical. Biophilic design
        rejects disposability.

        Spaces that age, adapt, and repair
        themselves echo the resilience of
        nature. A floor that patinas, a wall
        that catches light differently each
        season, furniture built for repair
        rather than replacement — all of it
        reflects a quieter kind of luxury.


        It’s less about trend, more about
        continuity: building homes that feel
        alive not because they’re filled with
        plants, but because they respond to
        the people who live in them.


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